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UID:CSVConvert4d11f56b2d83e61528d2ce8722a8a4b9
CATEGORIES:Performances & Creative Exhibition
CREATED:20151019T171316
SUMMARY:History, Memory, and Authenticity in the Art of Horace Pippin
LOCATION:62
DESCRIPTION:The brief, meteoric career of the self-taught painter Horace Pippin (1888-1
 946) was inextricably bound up with his military service in World War I. A 
 decorated and disabled veteran of the U.S. Army's storied 369th infantry, h
 e began painting around 1930. His first images were combat scenes, presumab
 ly painted from memory, that brought him to the art world's attention withi
 n a decade. In the 1940s, at the height of his success, he revived referenc
 es to his wartime experience--Doughboys, trenches, armaments--in paintings 
 that comment on World War II. Close attention to the full range of Pippin's
  images of war points up the complex ways in which he negotiated his nested
  identities as African American soldier, veteran, and citizen. Join NYU Was
 hington, DC in welcoming historian Anne Monahan as she explores the life an
 d work of Horace Pippin. There will be a brief introduction by Professor Je
 ffrey Sammons, co-author of Harlem's Rattlers and the Great War. Pippin was
  a member of the unit to which the book is dedicated.\nRegistration is requ
 ired to attend. Visit the event web site (http://www.nyu.edu/global/global-
 academic-centers/washington-dc/nyu-washington--dc-events/history--memory--a
 nd-authenticity-in-the-art-of-horace-pippin.html#tripleBox_nyuimage) for mo
 re information and registration instructions.\n
X-ALT-DESC;FMTTYPE=text/html:<p>The brief, meteoric career of the self-taught painter Horace Pippin (188
 8-1946) was inextricably bound up with his military service in World War I.
  A decorated and disabled veteran of the U.S. Army's storied 369th infantry
 , he began painting around 1930. His first images were combat scenes, presu
 mably painted from memory, that brought him to the art world's attention wi
 thin a decade. In the 1940s, at the height of his success, he revived refer
 ences to his wartime experience--Doughboys, trenches, armaments--in paintin
 gs that comment on World War II. Close attention to the full range of Pippi
 n's images of war points up the complex ways in which he negotiated his nes
 ted identities as African American soldier, veteran, and citizen. Join NYU 
 Washington, DC in welcoming historian Anne Monahan as she explores the life
  and work of Horace Pippin. There will be a brief introduction by Professor
  Jeffrey Sammons, co-author of Harlem's Rattlers and the Great War. Pippin 
 was a member of the unit to which the book is dedicated.</p><p>Registration
  is required to attend. Visit the <a href="http://www.nyu.edu/global/global
 -academic-centers/washington-dc/nyu-washington--dc-events/history--memory--
 and-authenticity-in-the-art-of-horace-pippin.html#tripleBox_nyuimage" targe
 t="_self" dir="ltr">event web site</a> for more information and registratio
 n instructions.</p>
DTSTAMP:20250521T014326
DTSTART;TZID=America/New_York:20151028T190000
DTEND;TZID=America/New_York:20151028T200000
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