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The WWrite Blog

Contribute, Share, Teach: All About the WWrite Blog

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Contribute, Share, Teach: All About the WWrite Blog

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Do you want to contribute to WWrite? Know someone who could write an awesome post? Want to get students to post or use as a resource? Want to put in requests for topics or themes? Have any comments or suggestions? If you've said yes, then you will want to read what's next: all about the WWrite Blog.

What is the WWrite Blog?

dulcemanuscript"Dulce et Decorum Est" Manuscript by Wilfred OwenWWrite is a blog sponsored by the World War I Centennial Commission that features both emerging and established writers from all genres who want to help expand and modernize WWI’s complex and abandoned memory in the United States and in the world. WWrite posts a new contribution every 1-2 weeks and provides a weekend update on writerly WWI news 1-2 times per month. With 8,000 subscribers (and growing everyday!), the blog enjoys a diverse readership, which includes, among others, teachers, students, other writers and artists, scholars, military personnel, engineers, scientists, doctors, nurses, chefs, government officials, and business owners. For a more in-depth description click here and here. To access the blog, click here.

Read more: Contribute, Share, Teach: All About the WWrite Blog

"I died in Hell - they called it Passchendaele." WWrite Weekend Update for August 6th: This Week's Writerly News from the U.S. Centennial WWI Site

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 Mud and the Poets of Passchendaele, Latest Contributors, and Next Week's Post

mud soldier statue London Battle of Passchendaele 832942The Mud Soldier, a sculpture made from Flanders mud to commemorate Passchendaele*

Latest 2 Posts: If you haven't checked out WWrite in a while, here's a quick look at the last 2 posts:

HindLudne1. August 8th: The Short Story Behind a Photo: This post gets inside the mind of the enemy.  Benjamin Sonnenberg writes from the point of view of two of the most important WWI German Generals—Paul von Hindenburg and Erich Ludendorff— who commiserate over a failed military operation. The story's inspiration? The photo to the left.

STfigurines2. Journalist Tweets WWI to French YouthWho says World War I doesn't interest the youth of today? With over 12,000 people following her blog and Twitter feed, this is the question leading a young French journalist's work that strives to give a fresh face to WWI using social media. In her post, France24'sStéphanie Trouillard tells us about her personal and professional passions driving her innovative historical writing project. And a special bonus! She's shared part of her Twitter feed from Bastille Day in Paris, where she covered President Trump meeting French President Emmanuel Macron to commemorate the centenary of the United States' entry in WWI. A great up-close look at this important day!

Read more: "I died in Hell - they called it Passchendaele." WWrite Weekend Update for August 6th: This Week's...

August 8th: The Short Story Behind a Photo by Benjamin Sonnenberg

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August 8th: The Short Story Behind a Photo
by Benjamin Sonnenberg

 

Benjamin Sonnenberg, a student at University of Maryland and intern at the WWI Centennial Commission, is giving new voice to WWI by creating a fiction collection based on events, stories, and archival documents. Here, is a piece of short fiction inspired by a photo of German Generals Paul von Hindenburg and Erich Ludendorff in 1917:

 02-005.jpgHindLudne 

General von der Marwitz was fiddling with his Iron Cross. He played with the corners of the map as he breathed out his report: “19 British divisions. 12 French. A single American. Two-thousand fighters.” Paul von Hindenburg looked at his deputy. General Erich Ludendorff was shaking his head, mumbling something about the Social Democrats.

“Von Hutier’s 18th Army has fallen back to Hargicourt,” Marwitz continued, tracing the tortuous path with a pale white finger. “Von Larisch’s 54th Corps has been shattered and forced back to Proyart. Von Hofacker’s Corps has withdrawn to Ville sur Ancre.”

 “Yes, but how much land lost?” Ludendorff thundered, his left hand quavering behind his back.

“I’m not sure, Herr General. The attack has only just ceased, and prisoners are —”

“Prisoners?” One eye twitched. Then the other. “How many men?”

“Again, it’s rather unclear because—”

A small glass fell to the floor, shattering. Now Ludendorff’s right hand began to shake. “Christ, is there anything you can tell me?”

Read more: August 8th: The Short Story Behind a Photo by Benjamin Sonnenberg

Journalist Tweets WWI to French Youth. Plus! Her Exclusive Twitter Feed from Bastille Day in Paris

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Journalist Tweets WWI to French Youth. Plus! Her Exclusive Twitter
Feed from Bastille Day in Paris

STfigurinesStéphanie Trouillard's Facebook Cover Photo, WWI figurines in her hands

Stéphanie Trouillard, 33 years old, is a T.V./web journalist and WWI Centenary Correspondent for French main media source, France24. With over 12,000 people following her blog and Twitter accounts about WWI, she explains her personal and professional passions driving her innovative historical writing project. 

A Personal and Professional Project

*I have been working a journalist for the France 24 website, a main French media source, for over four years. Most of my work covers international news,PoiluA French WWI "Poilu" but since the beginning of the centennial of the First World War in November 2013, I have also been dealing with this war. In three years, I have written more than a hundred articles on the Great War. This has allowed me to broach many subjects—military, but also cultural, sports, and even scientific subjects. Every day, I compose a press review on my Twitter account and give the news about the centenary. In parallel to my professional activities, I research the Poilus of my family. [Poilu is the French term for WWI soldiers. It means “hairy,” which is how the French press described the haggard, and, yes, hairy soldiers]. I tell their stories in articles and I go to the field to try to trace their different paths. Three of my great-uncles lost their lives during the conflict and two of my great-grandfathers were involved. They were all in different armies and regiments: the infantry, the artillery, and the navy. The family connection has allowed me to have a more intimate approach to this great story.

Read more: Journalist Tweets WWI to French Youth. Plus! Her Exclusive Twitter Feed from Bastille Day in Paris

Special Bastille Day Edition! WWrite Weekend Update for July 16th

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Special Bastille Day Edition! WWrite Weekend Update for July 16th

PatrouilleBastilleDAyAlpha Jets from the French Air Force's Patrouille de France fly over Paris on Bastille Day

Latest Post: The latest post, Ernst Jünger: The Modern War Storycomes from critically-acclaimed veteran writer Elliot Ackerman. In an interesting flipStormofSteel2 for convention, this WWrite post steps out of the current narrative in war literature to explore our culture's allure not to peace, but to violence. Rather than glorifying war, recent memoirs and books have concentrated on its debilitating and destructive effect on the returning soldier. In this post, Ackerman gives us his take on Ernst Jünger's seminal war memoir, Storm of Steel,, and the ways in which it assigns a redeeming quality to combat violence. 

Read more: Special Bastille Day Edition! WWrite Weekend Update for July 16th

Ernst Junger: The Modern War Story by Elliot Ackerman

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Ernst Jünger: The Modern War Story

By Elliot Ackerman

-- “The character of battle … is slaughter.” – Carl von Clausewitz

StormofSteel2

Cover, Storm of Steel, published by Penguin, 2016

Much of the modern literature of war, which was birthed in the trenches of the First World War, has been arrayed into the following moral arc: a naïve, idealistic youth goes to war; he witnesses the horrors and waste; he returns home haunted, or even destroyed by what he’s seen; hence war is evil. Obviously there are many variations on this theme—sardonic novels like Catch-22, or narratives that only obliquely reference war such as The Sun Also Rises—but much of literature adheres to this basic framework and its moralism. And why shouldn’t it? What could be redeeming about the slaughter Clausewitz references? Yet it took the unprecedented bloodletting of the trenches, with their poison gas and futile advances into machinegun fire, to codify this conclusion in art. But is there room for another narrative in literature?

Read more: Ernst Junger: The Modern War Story by Elliot Ackerman

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