Free outdoor exhibition featuring striking modern images of WWI battlefields from acclaimed photographer Michael St Maur Sheil at Pershing Park until 8 December
By Chris Isleib
Director of Public Affairs, United States World War One Centennial Commission
Washington DC — World War I was the first “modern” war as industry enabled weapons and explosives to be manufactured in vast quantities that brought death and destruction on a scale never previously experienced by mankind.
American Sergeant Charles S. Stevenson wrote, “Machine guns, rifles, shells, aeroplanes, and tanks — everything you read about — I saw ‘em all. We followed the first line (the attacking party) for twelve hours and ours was a sort of 'after the battle' review. I saw all kinds of German trenches, barbed wire entanglements, busted houses, burning trees, deep shell holes, torn-up railroad tracks, peaceful gardens, dynamited bridges.”
The experience of American soldiers in the Great War is documented in a free outdoor special centennial exhibition, Fields of Battle, Lands of Peace: The Doughboys, 1917-1918, which debuted Wednesday in Washington DC's Pershing Park.
The exhibition features the incredible contemporary photographs of Michael St Maur Sheil, depicting the battlefields of the Western Front where the Doughboys fought. The exhibition, co-curated by the National World War I Museum and Memorial in Kansas City, opened in conjunction with the ceremonial groundbreaking for America's World War I Memorial.
Exhibit also coincides with the centennial of American entry into the Great War. It is the first large-scale exhibition of Sheil’s work in the U.S. His prior exhibitions have been seen by more than five million people across the world.
An edition of the exhibition debuted at Guildhall Yard, the site of London’s historic Roman Amphitheatre, on April 6 2017. The exhibition also appeared throughout the United Kingdom, with stops in Liverpool, Newcastle, Edinburgh, Belfast and Cardiff.
“Through this exhibition, we trace the journey of the American forces in 1917 and 1918, and commemorate their efforts,” said National World War I Museum and Memorial Senior Curator Doran Cart. “It is both beautiful and poignant work and serves as another example of our commitment to understanding World War I and its enduring impact.”
When the United States entered the cataclysm of the war to become known as World War I, the global conflict had consumed many nations since 1914 and continued for years. The Armistice of Nov. 11, 1918 halted the fighting on the Western Front.
The Western Front the American forces saw when they arrived and until they returned home included scenes of environmental degradation, obliterated villages, vast cemeteries, and continuing massive destruction. Much of the landscape of the Western Front looked like an uninhabited planet very foreign to them.
“The U.S. involvement in the First World War was a hugely significant factor,” said Sheil, whose work has been featured in National Geographic and Time magazine. “Today, it is often overlooked, but it was a New World coming to the aid of an Old World, from which many of the young American soldiers – as first generation immigrants – had sought to escape. Their humanitarian effort in supplying and shipping over seven million tons of food to save the peoples of Belgium and northern France from starvation marked the advent of America as a united nation.”
Fields of Battle, Lands of Peace: The Doughboys, 1917-1918 is presented by the Aon Foundation with additional support provided by Edward Jones, PNC Financial Services Group and Park University. The U.K. version is presented by the Aon Foundation in partnership with the U.S. Embassy.