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1917 movie Films about World War I, such as “1917" with Dean-Charles Chapman and George MacKay, provided filmmakers with plenty of downbeat inspiration, especially when compared with films about World War II. (François Duhamel / Universal Pictures and DreamWorks Pictures)

Why World War I films, like ‘1917,’ have a different feel than those about WWII 

By Lewis Beale
via the Los Angeles Times (CA) newspaper web site

Director Sam Mendes’ new film, “1917,” tells the story of two men on a mission to save 1,600 British soldiers from being slaughtered by German forces leading them into a trap. But in its own way, it’s every World War I movie in microcosm: the trenches, the scarred battlefields, the rats, the gruesome deaths, the utter futility of a conflict fought over minuscule pieces of land; a war that seems to make no sense, despite the heroism of its combatants.

“The First World War is the beginning of modern warfare,” says Krysty Wilson-Cairns, who co-wrote the “1917” screenplay with Mendes. “It began with cavalry, horses and men in pristine, brightly colored uniforms, and it ends in tanks, aerial warfare, machine guns, chemical weapons and mud. Millions died over inches of ground.”

That seemingly pointless conflict has, nevertheless, provided filmmakers with plenty of downbeat inspiration, especially when compared with films about World War II.

World War I “allows you to tell a particular kind of war story,” says Mark Sheftall, a Bucknell University history professor who teaches courses on global warfare. “Because of the way people understand World War I, setting a movie in it tells you about the horrors of war, the futility; you can tell it as a tragedy, as disillusion. And people go, ‘Yes, war is like that.’

“Whereas World War II, that’s a story of victory, it’s the horrors and all that stuff, but typically the outcome is victory. You look for a positive resolution that can justify all that sacrifice, but you don’t have that in World War I.”

Read the entire article on the Los Angeles Times web site here:

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