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WWI Salute Hayesville Mike Hocker 1024x768July 2017 performance at the Hayesville Opera House (built 1886) in Ohio, on the National Historic Register, taken with in-house hand-painted historic backdrops. Photo by Mike Hocker. 

Reflections on “The Songs of World War One” Program 

By Cecelia Otto
via the americansongline.com web site

In March of 2017, two years after I performed my first Lincoln Highway concert, I debuted my second big concert program titled, “The Songs of World War One”. I knew that people would learn and enjoy the program, but I had no idea how it would be received. It was a wonderful surprise to find out not only that people enjoyed the concerts, but that I performed the music well past the 100th anniversary of the Armistice – all the way to November of 2019.

In those two and a half years of performing those songs, I met and connected with so many people nationwide who had their own stories and songs to share. And those stories made me think of all of the programs in a whole new way, and they changed me. It’s been a year since I last wore my re-created uniform, and I felt impelled to share some of what I saw and learned with you all.

  1. I had people of all backgrounds come to hear me sing and learn about this moment in history. The First World War is often a footnote in American history for your average person in the US. They didn’t learn about it (much) in school, and that’s more often than not because we really weren’t the “heroes” as we were in World War Two. And with the 1918 flu pandemic, Prohibition, The Great Depression and more, the Great War often takes a backseat in some history books and lesson plans. I was a part of a WWI marker dedication in Boise, Idaho in 2018. Because of the aforementioned circumstances, they never had a memorial put up in their Veterans’ Park, and were finally able to commemorate it a century later.

  2. Because of this war being overlooked, the roles that women played in the WWI are often forgotten or unknown here. My uniform as a contract Army surgeon was often a topic of discussion; people either thought I was “playing a non-American woman” onstage (French or Russian), or they assumed that it was not a “real costume”. I deliberately chose to re-create a surgeon’s uniform because of two reasons: 1) To highlight roles beyond what most people know (i.e. a nurse or a “Hello Girl”) and 2) To show modern audiences that some women who had special expertise were hired for their knowledge versus taking on a volunteer role (women were not allowed to enlist at the time).

  3. People often ask me if any contentious things happened at my shows. “Do things get political during your concerts?” they would ask. My answer: Never. People leave their personal beliefs at the door, they come to learn, sing along and have a laugh. I take my responsibility as a performer and historian to hold and create a space where they can come back in time with me without present-day judgements. And that shared experience builds community in the best way possible.

Read the entire article on the americansongline.com web site here:

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